By Noah Gittell
According to the thermometer, fall has come sooner than normal this year. At the movies, that’s nothing new. The fall movie season typically kicks off the first week of September, when film festivals in Venice, Telluride, and Toronto showcase those films that are gearing up for an awards-season push. Here are the stories and the films that will be dominating your fall movie season:
Does Tom Cruise still have it?
You may not have noticed, but over the last five years, America’s favorite movie star has started to burn out. Flops like “The Mummy” and “Oblivion” stood out, but even seemingly surefire hits like “Edge of Tomorrow” and “Jack Reacher” underperformed. Needless to say, a lot is riding on “American Made” (September 22), the true story of a pilot hired by the CIA to run guns and cash between Latin America and the U.S. in the 1980s. It looks like a classic Cruise role — with all that time in the sky, sunglasses are essential — and with accomplished director Doug Liman at the helm, there is no excuse for another flop.
Can Matt Damon make a splash with unorthodox Oscar bait?
All of a sudden, Matt Damon is in demand, starring in two bizarre comedies that will surely be in the awards conversation. The one with the most buzz is “Downsizing” (December 22), a sci-fi comedy by Alexander Payne (“Nebraska,” “Sideways”) in which Damon plays a money-stressed husband who agrees to shrink himself in order to live a more modest lifestyle. Before that, he’ll star in pal George Clooney’s new directorial feature, “Suburbicon” (October 27), in which a milquetoast suburban father in a picturesque community is driven to murder to protect his family. If it sounds like a Coen brothers’ script, that’s because it is. Clooney’s frequent collaborators dusted off an old screenplay for their pal to direct.
Can Gary Oldman win his first Oscar?
With so many iconic performances under his belt, it’s shocking that British actor Oldman has never won Hollywood’s highest honor (personally, I think he should have won one for “True Romance,” but his performance of a violent drug dealer is not exactly Academy material). This year, he seems to be a shoo-in for putting on 60 pounds of makeup to portray Winston Churchill in “Darkest Hour” (November 22), a biopic from director Joe Wright (“Atonement”).
Can Marvel actually let its directors direct?
Superhero movies make money — lots of it — but it doesn’t take superpowers to notice that they are sorely lacking in artistic character. More than one filmmaker has abandoned a project because the powers that be over at Marvel, Inc. won’t let them infuse the film with any real personality. That may be about to change. Director Taika Waititi is known for his quirky New Zealand sense of humor, and the early trailers of his “Thor: Ragnarok” (November 3) hint at a much goofier tone than Marvel has allowed in the past. Between “Thor” and next year’s “Black Panther,” directed by Ryan Coogler (“Fruitvale Station,” “Creed”), our era of superheroes may be entering a new, more interesting phase.
Will Battle of the Sexes appeal beyond the PC crowd?
The true story behind “Battle of the Sexes” (September 22), in which retired tennis champion Bobby Riggs challenges women’s champion Billie Jean King to an exhibition match is tailor-made for these times. Riggs was a proud male chauvinist, while King was fighting for equal pay for women and, eventually, LGBTQ rights. The film will be hailed by the left for its politics alone but the presence of stars Steve Carell and Emma Stone in the lead roles indicates an interest in doing more than preaching to the choir. It will be fascinating to see how mainstream America responds.
Can Greta Gerwig do everything?
First, we knew Gerwig as a brilliant actor, in films like “Greenberg” and “Damsels in Distress.” Then, she began co-writing with her director/boyfriend Noah Baumbach. These films — “Frances Ha” and “Mistress America” — displayed a unique comic voice. Now, she is directing her first film, “Lady Bird” (November 10) an autobiographical coming-of-age drama starring Saoirse Ronan (“Brooklyn”) as a desperate high school senior in Gerwig’s hometown of Sacramento, California. With early raves pouring in from festivals, the sky’s the limit for this ascending bird.