By Arthur Stampleman
“Face & Figure: The Sculpture of Gaston Lachaise” includes key examples of the artist’s work focusing on the human body, many on loan from leading museums, private collections, and the Lachaise Foundation. Among them are three monumental sculptures, a dozen portrait busts, bas-reliefs, and six drawings.
Called by ARTnews the “greatest American sculptor of his time,” Lachaise was a major figure in the transition from “statues” to “sculpture” in the early part of the last century. At a time when sculptors here focused on statues depicting historical events and important leaders, Lachaise was part of the movement to introduce modernist elements in sculpture — everyday situations, some figures without regard to accurate representation, and a focus on form and emotion, though not abstraction or cubism.
Born in Paris in 1882, the son of a cabinetmaker, he studied at Academie Nationale des Beaux-Arts, where he received formal classical training. He exhibited annually at the Salon and apprenticed himself to the decorative artist René Lalique, an experience that added an organic, art nouveau element to his approach. But at a time when Paris was the center of the art world and American artists moved there, Lachaise met an American who became the love of his life and he traveled in the opposite direction.
In 1902, he met and fell in love with Isabel Dutaud Nagle, an American woman of French-Canadian descent who was in Paris. In December 1905, at the age of 23, Lachaise set sail for Boston never to return to his native land. He proceeded to devote his life to her. “You are the Goddess I am seeking to express in all things,” he wrote her.
Three portrayals of his muse are on view, including
Most of the sculptures displayed are bronze, but there are four carved works in alabaster or marble. Lachaise was equally comfortable working in clay to form bronzes, or carving stone (his father was a carver). His surface is generally very smooth (like Maillol, unlike Rodin), but the surface of some of the portraits, especially that of Marin, captures their features and expressions.
Lachaise and Nagle were married in 1917 in New York. He had a successful career and was honored with the first retrospective given to a living artist at the Museum of Modern Art in 1935. Sadly, he died the same year, at the age of 53.
“Face & Figure: The Sculpture of Gaston Lachaise” is at the Bruce Museum until January 6. Hours are 10-5 Tuesday-Saturday and 1-5 on Sunday. Docent tours are offered most Fridays at 12:30. For information, call 203-869-0376 or visit www.brucemuseum.org.
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