By Margot Clark-Junkins
Does art require color? We do jump to this conclusion, but curator Katharine Dufault looks at this question from a fresh angle. She has gathered works “based on a single color, or absence thereof, in this case, white. White is produced when all the color wavelengths of visible light are reflected without absorption (opposite to black, which absorbs all).”
Works by 15 artists in a range of media (paint, paper, encaustic wax, glass, fiber, textiles, and more) — though technically “colorless”—are rich in texture, pattern and the play of light over their surfaces. During a sneak peak at the exhibition, Dufault explained that the range of natural materials and earthy tones serve to unify the exhibition’s look, creating a sense of harmony and flow which “complement January’s winter palette of bleak skies and snow.”
Alexandra Kohl, an emerging artist and recent graduate of Skidmore College, gathered horsehair of varying shades from the barn where she rides and wove them on a loom. Henry Mandell has created an intricate pattern of lines by manipulating text on his computer, which he then printed and mounted on an enormous aluminum sheet.
Dufault arranged the works with the singular goal of having the “viewer’s eye…move through the exhibition in a rhythm dictated by the interplay between the works.“ So, do come inside to soak up the warmth of “Winter White.”
The opening reception for “Winter White will be held January 30 from 3-5.
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