By Noah Gittell
It is a waste of a film that fails on every conceivable level. Billed as a modern, irreverent take on “Snow White”, “Mirror, Mirror” changes very little of the fairy tale. Instead, it simply modernizes the dialogue into a series of self-referential quips. Quips can work in a comedy, but they have to either a) sound the way real people talk when they have a good rapport, or b) be funny. The screenwriters of “Mirror, Mirror” achieve neither of these goals.
In a movie that goes wrong in so many ways, it is hard to single out the most egregious failures, but most of the film’s problems stem from imbalance. The tone aims for somewhere between satire and fantasy, which by its very nature is a losing combination. Satire by definition requires a level of emotional detachment, whereas fantasy requires a major suspension of disbelief. The filmmakers of “Mirror, Mirror” are not even, however, attempting some bold amalgam of the two genres. Instead, they alternate them scene-by-scene, often even within the same scene.
None of the actors emerge from this mess unscathed. Lily Collins, while beautiful, is given precious little to do and barely registers as Snow White. Armie Hammer’s bland and unfunny performance as Prince Alcott dampens my expectations for his career, which was going quite well after his breakout performances in “The Social Network” and “J. Edgar”. Nathan Lane provides the movie’s few chuckles as a putupon aide to the Queen, but he’s instantly forgettable. The seven dwarves have several good moments and provide a bit of heart, though not nearly enough to save this sinking ship.
Julia Roberts, on the other hand, gives a performance so bad it had me questioning her entire career. While likeable in a few roles, could she ever really act? Maybe “Pretty Woman” and “Erin Brockovich” were just examples of good casting, and she has been fooling us ever since.
Hers is an awful performance. She plays the villain but, because she is also the lead character and our entry point into the story, tries to make her likeable and sympathetic. These are failures at the script level, but she does the audience no favors by mugging relentlessly, hitting her punch lines with all of the subtlety and grace of a UFC contender, and slipping in and out of a British accent that had me recalling Kevin Costner in “Robin Hood: Prince of Thieves”.
It’s probably safe to say “Mirror, Mirror” wasn’t made for me or my 30 something demographic. As the credits rolled and I looked over in horror and contrition at the poor soul I had convinced to join me, half of the audience actually applauded. Although many were children, I silently took note that these children are the next generation, the ones we would be calling upon to solve the problems my generation is perpetuating. I weep for the future.
*My rating: Skip it altogether
The artificial turf and drainage installation will transform an 82,000-square-foot athletic field on 6.75 acres…
The Rye Record is looking for a talented advertising sales director.
Ann Murtagh Rogers (1933-2024) of Rye, passed away peacefully at home, surrounded by family, on…
The new owner of G. Griffin Wine & Spirits plans to continue the business as…
Bess June was unambiguous in communicating her unconditional love to her husband, their children and…
County Executive George Latimer maintains a substantial fundraising lead over his Democratic primary opponent --…