Noah Gittell writes that 2024 wasn't a banner year for film, but there were some that captured his imagination.
It can be taxing to figure out what’s worth seeing, Noah Gittell writes.
The New York Film Festival, which starts on Friday, Sept. 27, and is now in its 62nd year, features plenty of Oscar buzz, but it also maintains the most artistic integrity.
The top of the summer box-office surely signals to executives that while audiences are still enamored with familiar properties, they appreciate a break.
“Twister” was a smash hit in 1996. “Twisters,” its long-gestating sequel, does almost all of what its predecessor did.
“Hit Man” is the type of film they don’t make these days.
In Noah Gittell’s debut book, “Baseball: The Movie,” film and baseball converge in a deep reflection on the American experience.
This weekend, “Back to Black,” a biopic of the late, great R&B singer Amy Winehouse, opens in theaters to commercial intrigue and much critical chagrin. The music biopic has been a staple of the cinematic landscape over the last two decades.

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