At the Bruce, “Everything Old Is New Again”

A new exhibition offers an overview of Kathleen Gilje’s satirically pointed and technically adroit reincarnations of famous Old Master and 19th-century paintings.

A&E-Basquiat
Published May 4, 2013 5:00 AM
2 min read

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A&E-BasquiatA new exhibition offers an overview of Kathleen Gilje’s satirically pointed and technically adroit reincarnations of famous Old Master and 19th-century paintings.

 

A&E-ingresA new exhibition offers an overview of Kathleen Gilje’s satirically pointed and technically adroit reincarnations of famous Old Master and 19th-century paintings. Through these works she comments on social, political, and art historical issues of our day, and often recasts and reincarnates leading lights of the world of art scholarship, criticism and collecting.

 

A trained restorer, who began her career working on the great national collections at the Capodimonte Museum in Naples, Gilje brings a sophisticated understanding of the techniques and materials of the older art that she reconfigures, be it a “restored” version of a van Eyck, Raphael, Gentileschi, Manet or Sargent. She often comments on contemporary fashions and manners by inserting anachronistic details into images from the distant past. Here, too, are juxtapositions of contemporary and older art, always with a topical thrust, and satirical sendups of iconic images.

 

We recognize individuals, including artists like Louise Bourgeois and Jean-Michel Basquiat in the guise of portraits by Dürer and Velázquez, or the art historians Robert Rosenblum and Linda Nochlin as an Ingres and a Manet, or The New York Times art critic, Michael Kimmelman, as Eakins’ The Thinker, all selectively portrayed with painterly aplomb. Even local residents appear among this pantheon, including the collector and President of the Solomon R. Guggenheim Foundation, Jennifer Stockman, who is reincarnated as a Gustav Klimt figure.

 

A&E-Folies-bergereGilje’s work offers commentaries on current political, economic and women’s rights issues, but sometimes in such subtle forms that the images can only be detected with X-rays. The effect in the aggregate is to render the art of the past at once more whimsically accessible and pertinent to modern lives.

 

The exhibition is accompanied by an illustrated catalogue, including an interview with the artist. A lecture series will complement the show.

 

On May 23, at 7:30 p.m., Linda Nochlin, professor of Modern Art at New York University’s Institute of Fine Arts, will give a talk entitled, “Seeing Beneath the Surface: The Art of Kathleen Gilje.” Museum Director Peter Sutton will give a talk entitled “Dialogues with the Past” May 30 at 7:30 p.m.

 

 

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